Batman visits the gravestone of his parents and stands in contemplation while his cape is swept around him in the wind. One panel in particular demonstrated McFarlane’s style, whilst also encapsulating the moral theme of the story. While he went on to gain fame for his run on Spider-Man and creating Spawn, his visual flare was all over the comic, not least Batman’s cloak which filled panels with its size and the pointed trim that emulated the wings of a bat. Penciling duties were split between superstars Alan Davis and Todd McFarlane, representing a rare opportunity for McFarlane to work on the character. The story took a step back into the Dark Knight’s early years and presented him with the ethical dilemma that would challenge him for years to come – what lines would he cross to uphold the law? Faced with The Reaper, a costumed vigilante who uses lethal force, Batman’s also forced to work with Joe Chill, the man who murdered his parents all those years ago in that infamous alleyway. Barr, Batman: Year Two was originally intended to be titled Batman 1980, but the name was changed to coincide with Frank Miller and David Mazzucchelli’s masterpiece Batman: Year One (1987) which ran in Batman #404-407 the same year. It represents another way for people collect and own a part of comic history.īatman: Year Two was a story that ran in Detective Comics #575-578 (1987). McFarlane Toys Digital Batman Year Two is the world’s first digital collectible designed by Todd McFarlane himself.
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